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Carousell’s Push Notifications Are So Annoying, Even Facebook Singapore’s Media Partnerships Staffer Has Had Enough

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“Snap To Sell, Chat To Buy” That tagline makes it sound so easy, but after five years and countless app updates, popular mobile marketplace Carousell may need some help returning to the simple interface that helped it succeed in the first place.

One Carousell user didn’t just get frustrated with the app’s current limitations. Instead, he decided to make a list of improvements that Carousell could consider implementing.

Writing on Facebook, Hedirman Supian acknowledged Carousell’s efforts in engaging its users through push notifications, but felt that users would have a more positive experience if the app was redesigned.

Hedirman is on staff at Facebook, where he works on media partnerships. According to Facebook, he was formerly Deputy Digital Media Editor at MediaCorp.

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In lieu of the saturated “Popular” tab on Carousell, Hedirman suggested a “ranked, personalised feed”, similar to Facebook’s News Feed, that would show listings based on accounts that the user follows.

To combat the many “$0 listings” used to market services or intangibles, Hedirman suggested a “separate section for services” to keep the main feed lean.

He ended his post with an ingenious idea: a notification that alerts you when the price goes down on an item you bookmarked earlier. A literal sale alert.

For articulating the angst of regular Carousellers so succinctly, the post spread quickly, coming into the attention of Carousell themselves within a day.

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In a comment, Carousell thanked him for the feedback and took the chance to remind users about the services tab and price-watch feature, which were rolled out “not too long ago”.

You can find Hedirman’s full post below.

As of 2016, over 23 million items have been sold on Carousell. Can an improved user interface help sell 23 million more?

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Keep culture journalism alive, at just the price of a kopi. For a little bit more, get access to exclusives and a monthly gift box. Donate at patreon.com/popspoken

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This article Carousell’s Push Notifications Are So Annoying, Even Facebook Singapore’s Media Partnerships Staffer Has Had Enough appeared first on Popspoken.


Michelle Chong: Singaporeans “Don’t Care About What They Do”

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As National Day slowly approaches like a Sembcorp contingent on a march-past, we are reminded of how Singapore essentially bootstrapped itself from third world to first. We hear about The Singapore Story™ every year, as told through oversized floats, lipsynched medleys, and schoolchildren in LED suits.

But aside from the gaudy spectacle, how else do we contribute to the narrative of The Singapore Story™? If people are our only resource (as we’ve constantly been reminded), what have we gleaned from five decades of utilising this capital?

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Let’s be real – this is beautiful but also a little nuts.

The colloquial phrase “do it once, do it good” carries a uniquely Singaporean flavour. You can imagine it being hollered from the mustachioed lips of an army encik in the 70’s, or being gently uttered by an exasperated young teacher in the classroom of A Good School.

But with a recent spate of embarrassing gaffes being made on a national level — incorrect translations in mother tongues, for example — it seems most Singaporeans have internalised only the former part of the refrain. Today’s word on the street? “Let’s just get this over with…”


Local actress and director Michelle Chong took to Facebook on Saturday night to express her frustration with the “heck care” attitude she’s come across multiple times in her line of work.

In her Facebook post, the star of “The Noose” puts it plainly that she is “starting to think and feel that people here generally don’t care about what they do”.

“If they don’t take ownership or have any pride in their work and just have a “pass up homework” heck care attitude, how do they get any enjoyment or fulfilment out of their jobs?”

Michelle cites personal experiences from working with professionals who settle for lacklustre standards. She describes how a post-production firm shoddily edited her film last year (assumed to be “Lulu The Movie”), leaving the film’s media preview with distorted sound and washed-out colours.

Michelle also mentions how an interior designer left her with “tiles that could be peeled off from the wall and a constant sewage stench because they didn’t bother to seal up the pipes”.

“In the course of my work, I experience and come across many instances where people really just don’t care about what they do. They don’t check their work, don’t care about how it turns out, don’t take that extra step to value-add or think about how to make it better, don’t want to improve etc. It’s a “why should I bother? It’s not like I’m getting paid very much for this job” or “please lah it’s just a job right?” or “do extra for what? I’m still getting the same salary right?” attitude.”

She closes her short rant by urging for higher standards. “I’m not saying we don’t or can’t make mistakes, but maybe just have a little more pride in what we do?”

If we want to find something to be proud of this National Day, let it be our work.


Read Michelle Chong’s full Facebook post below.

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Keep culture journalism alive, at just the price of a kopi. For a little bit more, get access to exclusives and a monthly gift box. Donate at patreon.com/popspoken

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This article Michelle Chong: Singaporeans “Don’t Care About What They Do” appeared first on Popspoken.

Ah-Lemak! The Nasi Lemak Burger From McDonald’s Singapore is Sold Out

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Now you see me, now you don’t. The divisive Nasi Lemak Burger from McDonald’s Singapore has been declared “sold out” at all branches just two weeks since its introduction. Get ready to quit cold turkey.

In a press release,  McDonald’s Singapore announced that The Nasi Lemak Burger, Chendol McFlurry® and Bandung McFizz™ are now sold out islandwide. With no confirmation on future restocks, it’s safe to say that the Nasi Lemak Burger is gone… at least for now.

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In the same breath, McDonald’s Singapore thanked Singaporeans for their “overwhelming support” for its range of local offerings, which were released on 13 July.

Okay you’re welcome, I guess. But that’s not going to bring my coconut-flavoured chicken patty back. :(

Popspoken first caught wind of the news on Sunday, dropping a small hint in the guise of a Twitter poll.

To cool things off, though, McDonald’s Singapore is introducing two new items from 26 July – the Eggcellent McSpicy and the Dinosaur McFlurry®. But do either of those sound like a Nasi Lemak Burger to you? I didn’t think so.

More interestingly, NSFs and NSmen can present their SAFRA Card, 11B, or Pink IC for a free Apple Pie or Hot Fudge Sundae with every meal purchased. This offer is available from 4 to 10 August and it’s much easier than having to wear your No. 4 everywhere, no?

Image: McDonald's Singapore

Image: McDonald’s Singapore

The Vanilla Cone is also going at a special price of 50 cents from 4 to 10 August for all McDonald’s Singapore customers. Thank God that banana thing is over.

Anyway, here’s a look back at happier times before McDonald’s betrayal when our nation was united in arguing against disparaging comments by jealous Nasi Lemak purists.

Let us know how you’re coping with this blow from McDonald’s Singapore by tweeting at us @Popspoken!

Remember, if one of us can tweet so relentlessly at KFC to bring back its Hot Devil Drumlets, imagine what all of us can do together. /cries chendol-flavoured tears/

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Keep culture journalism alive, at just the price of a kopi. For a little bit more, get access to exclusives and a monthly gift box. Support us at patreon.com/popspoken

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This article Ah-Lemak! The Nasi Lemak Burger From McDonald’s Singapore is Sold Out appeared first on Popspoken.

WhatsApp Goes Free (Again): 5 Things Singaporeans Can Do With That $1 Saved

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Tremendous news for all cheapos out there – instant messaging platform WhatsApp has announced that it’ll revert to being a free app! Speaking at the Digital-Life-Design (DLD) Conference in Munich on Monday, founder Jan Kaum announced that the company is dropping the service’s annual subscription fee of $1 in an effort to remove the barriers some users faced while using the service.

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Acquired by Facebook in February 2014, the messaging service boasts over 900 million users as of September 2015. It’s hard to believe that we actually used SMS as a means of communication (what about group texts?!), and it’s harder to believe that local telcos are still charging and/or putting a cap on the amount of SMS-es you can send in a month. While we’re up in the air with all this thinking, though, a nagging question remains…

What are we going to do with that extra $1 at the end of the year?

A little bit of nosing around some identical heartland malls later, we’ve found some things all Singaporeans can do with just $1 in their pocket.


1) “Acquire” A Trolley

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It’s probably not legal, but that hasn’t stopped decades of aunties either. Very convenient for shameless market trips, reckless bumper cars, or as an alternative to pricey prams for parents of twins (or more).

We’re only kidding – please don’t do this. It’s a nightmare for the workers who have to bring these back.

2) Get An Apple Pie from McDonald’s

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Who cares if it’s fried – apple is fruit! I mean… #EatClean right? It’s not the best apple pie in the world (or even in any 10km radius) but it isn’t half bad either.

3) Visit A Repulsive Public Restroom A Few Times

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Usually the last resort for Singaporeans, the public restroom (can we just call it a toilet because there’s no way we can beautify this) is looked down upon by everyone except those who just happen to really really need it.

Instead of going in and out a few times pointlessly, make the cleaner’s day by tipping them the dollar.

4) Share A Snack From Daiso With Someone Else

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These are pretty damn awesome. But let’s face it: there’s no way you can leave a Daiso outlet with just one purchase.

5) Be A Mini-Philanthropist

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Perhaps the best option here, put your dollar (or more) to good use by donating it to a local charity of your choice! Giving.sg is a portal with a searchable database of 376 non-profit organisations in Singapore. With a few clicks, you can make a donation completely online through your credit card. Feeling like Bill Gates has never been easier.

Want to do more? The site also directs you to a list of organisations where you can pledge your time as a volunteer.


So, what will you do with your $1?

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This article WhatsApp Goes Free (Again): 5 Things Singaporeans Can Do With That $1 Saved appeared first on Popspoken.

Let It Happen: Tame Impala Comes To Singapore This April

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Australian indie rock band Tame Impala will be coming to Singapore this April! Previously here for the 2013 edition of the annual St. Jerome’s Laneway Festival, the psychedelic rock outfit will, blessedly, be playing an air-conditioned venue this time around: The Star Theatre.

Brought in by promoters Secret Sounds Asia, Tame Impala will be playing The Star Theatre on Thursday, 21st April 2016. Tickets go on sale online from 9AM on Monday, 1st February 2016 via SISTIC. Prices range from S$68 to S$148, which we feel are pretty reasonable.

Tame Impala started out as a humble home recording project by mastermind Kevin Parker who writes, records, performs and produces the band’s potent brand of psychedelic indie rock. Loosely formed in 2007, Tame Impala’s list of touring members has been constantly evolving, with the current line-up featuring Cam Avery (bass), Julien Barbagello (drums), Dominic Simper (guitar/synths) and Jay Watson (guitar/synths).

From their debut self-titled EP (2008), followed by the critically-acclaimed first album ‘Innerspeaker’ (2010) and sublime second album ‘Lonerism’ (2012), Tame Impala has garnered legions of fans worldwide alongside an extensive list of accolades, including numerous wins at the ARIAs and Rolling Stone Australia awards, as well as a Grammy nomination for Best Alternative Music Album. On Tame Impala’s third and latest offering ‘Currents’ (2015), Parker addresses a blindingly colourful panorama of transition in the most audacious, adventurous fashion he has yet captured on record.

After winning over legendary festivals such as Glastonbury and Coachella, Tame Impala’s first headline show in Singapore promises to be an unforgettable experience, saturated with mind-altering beauty and boundless creativity.

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More details are available from the official Facebook event page here.

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This article Let It Happen: Tame Impala Comes To Singapore This April appeared first on Popspoken.

Jude Young Talks New Music and Why “#SupportLocal” Is A Dangerous Phrase

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“This song is an anthem for everyone who’s losing their youth to “life”. That should never be the case.”

Bringing his art to the emerging local stage is 22-year-old Jude Young. After weeks of behind-the-scenes teasers, his new single “Young” is now out on iTunes and Spotify (links below)! The ambitious singer-songwriter has also embarked on a personal first with his co-directing credits on the accompanying music video.

“Young” invokes pop-rock flavours reminiscent of local outfit Take Two, with Jude’s ebullient falsetto a distinct marker that parallels the song’s aspirational tones. You’d be glad to hear that the song is not a standalone project – but a single from an upcoming EP!

Having first started out in 2012 with his DIY acoustic project “The Caterpillar Sandwich EP”, Jude has, for a few years, quietly remained as a YouTube cover artist (like all fresh-faced musicians). As part of last year’s #SG50 fever, Jude’s tribute to Singapore, a song titled “Waves Of Tomorrow”, was picked up by Popspoken as one of 5 notable local jams of 2015.

Over the technological marvel that is email, we discuss with Jude himself the hard work he has put into the EP, the importance of friendship and a shared vision, and why throwing the phrase “#supportlocal” around may do more harm than good.

1) Firstly, congrats on receiving the National Arts Council grant to produce your EP! How has assistance like this helped you in your initial months of starting out?

The National Arts Council grant was beyond “helpful” – it was the final piece of the puzzle that took my music to the next level. I am an independent artist and I have worked on my music for very long, but honestly, my financial capability does not match up to the size of my dreams! There are many costs to be incurred; be it song production, music video production, and the like; and the grant definitely made this leap of faith easier.

Photo Credit - Jeremy Kieran

2) Let’s talk about the creative process behind the album. How long did it take to write, produce, and record the EP? What was the most frustrating thing that happened during the process?

I write all my songs on acoustic guitar first. If it sounds like it has potential, I send an iPhone recording to my producer, Edric Hwang, for his opinion. If he likes it, we hit the studio. The recording, arrangement, and production of the audio usually takes a month or so!

The most frustrating thing for me is (perhaps surprisingly) WRITING SONGS. I am extremely inconsistent – sometimes a song writes itself within an hour and it’s great, sometimes I spend a lot of effort trying to make a good song and I can’t even finish it. Most of the time, they just remain as snippets of lines in my iPhone voice memos. I’m already running low on memory…

Photo Credit - Jeremy Kieran (2)

3) You’ve been teasing your first single, “Young”, for quite a while now. What are the themes behind the song?

“Young” is about surmounting a universal challenge that I believe everyone will face. This song is an anthem for everyone who’s losing their youth to “life”. That should never be the case. I wrote “Young” at a time in my musical journey when I was losing my drive and felt like I no longer enjoyed my pursuit as much as before. I recalled the earlier days when I said with so much conviction that I would break into the international scene, play to a huge crowd and the like – dreams that ironically seem more and more farfetched with age. “Young” is a personal reminder to stay hungry, audacious, and embrace every challenge with a youthful outlook.

4) The accompanying music video to “Young” also marks your directorial debut. What is the most valuable thing you’ve learnt through this venture?

I saw first-hand the power of support from friends. Jeremy Kieran and I undertook this project under the impression that we’d be doing it largely on our own. On the days of the music video shoot (and even for the recording of the crowd vocals in the song), so many of our friends came down to render their help, from the set up on the first day to buying us food, and even sending us home. I felt guilty, almost embarrassed, but they were extremely gracious and had so much conviction. I met most of them for the first time on set, but I feel like I’ve seen the essence of what makes them such great people within those three days.

Check out the credits in the description of my music video on YouTube – without them, the music video probably would not have happened. I dedicate this song to every single one of them. They embody the spirit of the song.

5) Apart from music, you’ve also been tweeting amusing happenings around your daily life (also a few corny jokes). Does this jovial attitude online reflect your personality?

  I’d like to think I’m pretty funny! My friends tend to roll their eyes when I crack the same jokes in real life though. I have good days and bad days, but I guess some bad things are hilarious too! (I was stuck in a bus recently because I overslept!).  

6) Finally, what do you think it would take for Singaporeans to #supportlocal?

Fundamentally, all it should take for Singaporeans to support local is good local products! I have faith that good music will have supporters – the geography hardly means anything. That being said, I wish that Singaporeans would make more of an effort to at least turn their ears towards local music. The local music scene is objectively a lot better than what the general public has in mind.

One more thing: only good material deserves #supportlocal. If it isn’t good, #supportlocal becomes a crutch that helps nobody – not the artist, not the listener, not the scene.


Photos courtesy of Jude Young, Lim Zi Song, and Jeremy Kieran.

Buy “Young” on iTunes | Stream “Young” on Spotify

Find Jude Young online: Twitter | Facebook | Instagram | YouTube | Bandcamp

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This article Jude Young Talks New Music and Why “#SupportLocal” Is A Dangerous Phrase appeared first on Popspoken.

Making “Anti” A Free Album Was Rihanna’s Only Good Decision

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After approximately 2 million years (give or take an ice age), former pop star Rihanna has finally decided to come out of retirement to make her only good decision so far: releasing her album free of charge. After complete radio silence for two years, and a painfully awkward year of hits and (mostly) misses, the singer has finally, blessedly, released “Anti”, a 13-track effort that’s… not her best work.

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Following three singles in 2015 (“FourFiveSeconds”, “BBHMM”, “American Oxygen”) that served solely as teasers, #R8 has finally ended its reign as Twitter’s biggest running joke (mostly among the world’s bored music journos).

None of the three songs appear on “Anti”, with a brand-new try-hard track titled “Work” released as the album’s lead single instead. Not even Drake could save the song from being widely panned by critics, but in Rihanna’s defense, it’s one of the “least worst” songs on the album.

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Fuelled by a laughable publicity campaign comprising an accidental early release on music streaming platform TiDAL and a VR series by sponsor Samsung that stretched out for way too long, the Rihanna machine may be at their clumsiest here. What happened to the team that carried out year after year of slick album leadups and publicity?

We’ve said it before and we’ll say it again: Rihanna is a definite hit-maker; the Queen Midas of Pop. Everything she touched (from 2007 to 2012) didn’t just turn into gold – it turned into diamonds. Even at her weakest pre-“Anti”, her previous album “Unapologetic” still spawned hits like “Stay”, “Diamonds”, and “Phresh Out The Runway”. Why, then, the sudden change for a more “timeless” sound that just doesn’t work with the masses?

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Gone are frequent collaborators Stargate and Ester Dean. The Guardian highlighted that this shift away from radio-friendly mainstream pandering could be Rihanna’s complex effort at scoring another Grammy or similar awards, but we’re less convinced.

But enough from us; judge the album for yourselves! Stream Rihanna’s “Anti” exclusively on TiDAL here. You can also download the entire album for free here. As part of their efforts to woo more listeners away from Spotify, TiDAL are also offering a complimentary 60-day free trial upon your download. Maybe the true publicity winners here are… TiDAL themselves?

The one last hope that we’re hanging on would be news of a deluxe version of “Anti” with three bonus tracks arriving on TiDAL on 29th January 2016. Let’s just hope it’s not remixes of “Work”.

Hey, but if this new album is what Rihanna really wants to create, then so be it.


Stream Rihanna’s “Anti” exclusively on TiDAL here. Download the album for free here.

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This article Making “Anti” A Free Album Was Rihanna’s Only Good Decision appeared first on Popspoken.

Why Rebecca Lim’s “Retirement” Is The Best Marketing Stunt of 2016

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By now most of Singapore would have read about the attention-grabbing marketing stunt cooked up by NTUC Income in collaboration with Mediacorp actress Rebecca Lim. From the moment Rebecca posted that Instagram picture announcing her “retirement”, we’ve seen public opinion swing dizzyingly from shock to sadness, then disgust and outrage (in that specific order).

The initial announcement fooled everyone from Channel NewsAsia to forum members on HardwareZone. In the three days since, Rebecca has deleted the polarising caption, though the photo remains on her grid (she looks good in it, why waste a good post with 12,000 likes?). The Chief Marketing Officer at NTUC Income has also stepped out, holding a press conference to clear the air. Yet the public’s interest/disappointment in both parties remain.

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The photo has garnered over 700+ comments as of Monday, showing an emotionally-charged clash of opinions. Some defended the Star Awards 2015 Best Actress winner, while others called her out on “lying for the sake of money”. While last year’s hot topic during the Chinese New Year was about the upcoming General Elections then, it seems that this year’s dinner conversations are centred on Rebecca and NTUC Income’s faux pas.

Us? We think it’s the best damn marketing strategy we’ve seen so far in 2016.

Yes, this beats even that adorable Valentine’s Facebook album from IKEA. We’ll try to convince you. Think about the grand scheme from the perspective of an emotionless marketing machine that feeds on trending topics and Singapore-based hashtags to predict the next hot topic that will set everyone thinking. From a purely results-driven standpoint, #RebeccaGate has achieved its primary aim. No publicity is bad publicity. The Kardashians and Steven Lim have proven that point.

But no jackpot comes without a gamble, and the risk here lies in the outcry that we’re witnessing right now. Singaporeans and fans feel “cheated” and “betrayed” that Rebecca would do such a thing! Clearly, having a public figure talk about retirement is a personal affront to many; possibly an unconscious grudge borne in response to the CPF system. This brings us to our next point:

She’s talking about planning for retirement, not slimming pills. She’s selling insurance, not questionable drugs. 

Granted, she was paid to do so. Take away the capitalist motives and the underlying product is still of a neutral-to-positive nature. Compare it to the deeply emotive ad for the Pioneer Generation Package (PGP) for MediShield Life. Both marketing efforts are similar: relatable medium (Rebecca Lim/elderly grandparents), appeal to the audience’s emotions (shock/nostalgia), and cause or product (insurance/insurance). Why the flood of negativity then? Was Rebecca Lim hawking an illicit good? Are you her manager for being so concerned about her “image”?

Besides, part of the whole ruse depended on the assumption that many of her fans recognise her good sense and cleverness. Rebecca Lim’s down-to-earth, sensible character, the one that endeared her to fans (the “Beckers”), is the same one that is at odds with the perceived absurdity of this whole saga. She’s got a good head on her shoulders, one that’s too wise to accept deals without a winning endgame. Her fans would have known that.

So talk all you want, but talent still wins and always will. She’ll recover from this, and NTUC Income will find more creative ways to get artistes to announce their retirement.

Because at the end of the day, a sparkly Star Award just can’t pay the bills.

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This article Why Rebecca Lim’s “Retirement” Is The Best Marketing Stunt of 2016 appeared first on Popspoken.


It’s Back On Again: Gentle Bones Announces Second Concert Date

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[UPDATE on Feb 19: Tickets to a second show will open at 9AM today via SISTIC.

A second show has been added for 11th June 2016, also at the Esplanade Concert Hall. Local folktronica singer-songwriter Linying will take over .gif as the opening act. Ticket prices remain at $25, $35, and $45, excluding SISTIC’s booking fee.]

[UPDATE on Jan 27: Gentle Bones has announced a new June 10 date at the Esplanade Concert Hall.

Happening Friday, 10 June 2016 at the Esplanade Concert Hall, the event is almost identical in details to the cancelled event last year. A welcome addition are local electronic duo .gif, who will play as the opening act.

Tickets are again priced at $25, $35, and $45, excluding SISTIC’s booking fee. Get your cards/phones/cash ready because tickets go on sale tomorrow! Book your tickets via this link from 9AM on Friday, 29 January 2016, and find out more details about the event from the official Facebook event page here.]

You can view the whole timeline of his concert’s rescheduling below.

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[UPDATE on Nov 27: Gentle Bones has cancelled his December 10 gig due to “unforeseen circumstances”. His full statement, published on his Instagram page, is below:

“With an extremely heavy heart, I must inform you all that the 10th of December show at the Esplanade Concert hall has been cancelled. Due to unforeseen circumstances, we are going to have to hold this off for now. I am terribly sorry for the inconvenience this has caused to all of you. My team and I are currently working on rescheduling show dates for 2016 and I’ll do my very best to make up for all of this. Refund details can be found through @universalmusg. You guys sold out the show within a month and it pains me to say that it’s going to have to wait. Please be patient with me!”

Popspoken has reached out to Gentle Bones’ label, Universal Music Singapore, for comment. Refund details can be found out on the label’s Facebook page here.]

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[Original post on Oct 3, 2015 at 09:58 hours]

Here’s definite proof that the local music scene is growing: local singer-songwriter Gentle Bones will perform his debut ticketed concert at the Esplanade Concert Hall this December!

The show will feature debut performances of his new songs off his upcoming second EP, along with crowd favourites like “Until We Die” and “Settle Down” from his chart-topping, self-titled debut EP. Fans can expect a night of visual spectacle and an unforgettable performance by Gentle Bones and his full band (hello, Josh Wei!)

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Joel shared, “This concert marks a huge milestone to my musical career. Months of preparations have gone into this show and I’m glad I have the opportunity to present my new music along with revisions of the old, in the beautiful Esplanade Concert Hall. Many exciting things are almost due and I’d like the people at home to be the first to experience it live.”

(In case all those hints flew over your head: HE’S TALKING ABOUT THE 2ND EP. Here’s how you can get a sneak peek, courtesy of Topman.)

Tickets are priced at S$45, S$35, and S$25 and go on sale via SISTIC from Monday, 5th October 2015. Note: Borrow your parents’ credit cards – because Maybank eVibes and Platinum VISA cardholders will enjoy 10% discount on tickets for a 30-day period from day of ticket sales. Event day ticket sales are priced at S$55, S$45 and S$35 (so get them early).

And in the spirit of things, vote for your favourite Gentle Bones original here! Which song is your jam? (Friends on mobile: click on the song title to select your entry – submit your vote with the “Vote” button at the end!)


So many thanks to Universal Music Singapore, TOPMAN, and Maybank for making “GENTLE BONES LIVE IN CONCERT’ this happen!

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This article It’s Back On Again: Gentle Bones Announces Second Concert Date appeared first on Popspoken.

Old Meets New At The Inaugural Keong Saik Carnival Happening This May

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Singaporeans familiar with Keong Saik Road will associate the area with popular hipster cafés and so-cool-it-hurts speakeasies. The Popspoken Team are no strangers to the uber-hip Chinatown street; we proudly told you about joints such as The Library (and its secretive password), the surprisingly affordable 999.99, and, of course, the artful offerings at Potato Head Folk.

Bringing the rustic charm of these brands together is the inaugural edition of the Keong Saik Carnival. Slated to take place on Saturday28 May 2016, the street market and live music and culture event will host over eight local and international vendors and performers.

Set to run from 12:00NN to 10:30PM, the event will provide an exciting day of fun, culture, shopping and dining. A street bazaar will feature popular street fashion labels, designer and collector goods as well as award-winning bars and restaurants, interspersed by intriguing art and cultural activities. Setting the mood from noon till night will be live performances by musical artistes as well as a nonstop lineup of acclaimed DJs.

Keong Saik Carnival is organised and curated by the team behind Potato Head Folk, a four-storey space on 36 Keong Saik Road which offers four unique drinking and dining experiences on each level.

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At the street bazaar, visitors can browse the latest collections from diverse fashion labels, including a limited edition streetwear collection by Fergadelic created for Three Buns. Not to be missed by antique collectors and bargain hunters, there will also be a pop-up record store by #vinyloftheday and a mini-bazaar of unique curated goods from Made By Legacy.

For the culture vultures (hey, that’s us!), there will be an art installation by Tell Your Children and performances by the Hok San Lion Dance Troupe. There will also be a carousel by Uncle Ringo for families and the young at heart.

Throughout the day, two performance stages will feature headlining artistes, including Beijing’s Howie Lee, Shanghai’s ChaCha & Drunk Monk, and Al Rocco and Blow from Shanghainese hip-hop group Busy Gang. Local acts will be also represented by The Observatory, Syndicate, Mr Has, Pushin’On, and Attagirl! Part of the performances will also be matched with visuals by VJ HeyLou.

“We wanted to combine some of our favourite things and bring them all together in one place for one great event,” said Earn Chen, creative director at Potato Head Folk.

“Keong Saik Road has this unique vibe of laid-back fun and creativity, in large part because of the people who run the food and drink establishments here. Keong Saik Carnival gives us the perfect opportunity to work together and build something great for our shared neighbourhood.”

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Keong Saik Carnival

Saturday, 28 May 2016

12:00NN to 10:30PM

Keong Saik Road

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Header image from Potato Head Folk’s Facebook page.

This article Old Meets New At The Inaugural Keong Saik Carnival Happening This May appeared first on Popspoken.

Overtime #2 at CATO: Meet The Artists Behind The Works

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Theme: Open Source.

> Open source (n);
a public endeavour; liberty from capitalistic constructs, collaboration with the community; sympathy for the system; without conditions of discrimination, profit or resistance; hero; villain.

Imagine what happens when knowledge is free for all to use. Imagine what happens when we are all what we know.

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Popspoken is back for a second instalment of Overtime, serving up some mid-week inspiration and mid-week spirits.

Artfactory returns with more inspiration by budding creatives from all corners of the city-state: a combination of mixed media, installations and paintings telling the stories that pass by in today’s mainstream.

Stay tuned for our live interview moderated by Popspoken happening at 7:30PM where we speak to creatives showcasing in Artfactory. Follow us on Periscope (@popspoken) for the livestream and send in your questions via Twitter using the hashtag #PSOvertime.

Overtime is co-run by event collective Knight Runners and culture news publication Popspoken. Held on the second floor of restaurant and bar CATO, the joint’s raw furnishings and modern Asian cuisine posits itself as a refreshing alternative in Singapore’s dynamic nightlife landscape.

Before you come face-to-face with the exhibits, get to know the creatives behind the works:

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From: yeotzeyang.tumblr.com

1. Yeo Tze Yang

Born in 1994, Yeo Tze Yang works primarily in the medium of oil painting, and occasionally with ink and pencil. His paintings predominantly capture his immediate surroundings, often chancing upon neglected and forgotten elements in everyday life.

Tze Yang was part of the Art Elective Program from secondary school to junior college for six years. Since leaving National Junior College in 2012, the Singaporean has continued to paint, and has exhibited widely in venues such as Goodman Arts Centre, Institute of Contemporary Art, Art Apart Fair and the Affordable Art Fair in Singapore. He was a finalist in the Cliftons Art Prize in 2014, and has been recognised as one of “15 Singaporeans Aged 25 And Under To Watch In 2015” by mustsharenews.com.

He lives and works in Singapore, and will be continuing his studies in Arts and Social Sciences at the National University of Singapore. His works are part of private collections in Singapore, Australia, the UK and the USA. His first solo exhibition, “A Place Behind My Eyes”, was held at ION Art by Utterly Art.

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From: hendrypoh.com

2. Hendry Poh

“My passion as an artist has always been to document the little pockets of forgotten places – under-appreciated buildings and places that are inevitably left behind as society progresses.

My hope is to capture the understated beauty of these buildings: lines, planes and space that collide in the mind’s eye to form countless untold stories. Some of which may eventually live on only in photographs.”

– Hendry Poh

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From: behance.net/jenriel

3. Jenson Tan

Jenson Gabriel Tan got too tired of arts management and decided to do art instead. While most of his work is mostly abstract and inspired from textile motifs, he does have a few cute works up his sleeve.

The former recipient of the now-defunct Talent In The Arts Grant from Ngee Ann Polytechnic used the grant to enrol in the Slade School of Fine Art in London for summer school. Jenson was also the creative director of Obscured.sg from 2014 to 2015.

Currently an NSF, the former Arts Business Management graduate from Ngee Ann Polytechnic will be entering the school of Art Design and Media in Nanyang Technological University in 2017 to further hone his craft.

4. Bernice Chua

Bernice is a menswear designer/illustrator based in Singapore. After graduating with a First Class Honours degree in fashion design from Lasalle College of the Arts, she worked in DKNY Jeans International as an assistant menswear designer. She also freelanced as an illustrator, contributing artworks and graphic prints for Blackbarrett by Neil Barrett and also the independent London-based denim label Endrime.

She recently completed her Masters at Bunka Gakuen University in Tokyo, and has returned back home to her alma mater where she is currently lecturing part time.

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From: defydefine.com/share/opensource/workfordisplay/

5. DOUBLE

“Either I die as well, or I finish what we started together”
— Coco Chanel

DOUBLE is a local creative collaboration between Silver Phang and Jyren Koh.

Silver is a passionate illustrator with a background in visual arts and she strives to create visually-arresting graphics that are greatly influenced by traditional arts.

Jyren is a designer with branding and PR experience, and strongly believes and supports food sustainability and urban agriculture.

Of DOUBLE: “We defy and define: To defy the normalcy is to go beyond communicating a message and to define the possibilities of what would captivate your senses.

We work with a passion to produce purposeful work for a greater cause.”


Come join us at CATO this Thursday, 21 April 2016, for Overtime #2! More details on the official Facebook event page.

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Join Popspoken For Drinks & Inspiration At Overtime #2

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You’ve heard us talking about it – Popspoken’s second event is arriving in less than a day! Overtime #2 is happening on Thursday, 21st April 2016 at the second floor of CATO, the mod Asian restaurant and bar located along South Beach Road. Come join us for some mid-week inspiration and mid-week spirits.

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> Open source (n);

a public endeavour; liberty from capitalistic constructs, collaboration with the community; sympathy for the system; without conditions of discrimination, profit or resistance; hero; villain.

We took your feedback from Overtime #1 and worked on a few things. In this second event by Popspoken, we conducted a week-long Open Call for artists to submit their works based on the theme of “open source”.

Rather poetically, Overtime #2 will fall on the same day that the World Digital Library, a project of the U.S. Library of Congress, was formed eleven years ago back in 2005. With the help and support of UNESCO and libraries, museums, and archives around the world, the creation of the WDL set the stage for freedom of information on the Internet.

Today, the WDL makes available on the Internet, free of charge and in multilingual format, significant primary materials from all countries and cultures.

But for each document that is made free for public viewing, there are plenty more that are kept locked away. Mirroring this sharing and excluding of information and ideas are five artists, each with their own take of the dichotomies between what is seen and what isn’t to showcase their works.

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Andre Frois, freelance writer and Popspoken curator, will be moderating a live interview with artists from 7:30PM, which will go live on Popspoken’s Periscope (@popspoken). Send in your questions and comments via Twitter using the hashtag #PSOvertime.

Still need some convincing? Music throughout the night will be provided by DJ A:SHE, and CATO is offering a too good to be true 1-for-1 deal from 7PM to 9PM: Oysters are going for just $1 with any purchase of food or drink!

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So join us this Thursday for Overtime #2 – it’s time to claim back your overtime.

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More details on our official Facebook event page here.

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This article Join Popspoken For Drinks & Inspiration At Overtime #2 appeared first on Popspoken.

Discussing Open Source And Censorship In Art & Design At Overtime #2

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Popspoken’s second iteration of Overtime saw 4 artists from various disciplines engage in a roundtable discussion about the relevance of open sourcing in their industries.

Hosted at CATO, the session was moderated by Popspoken curator Andre Frois, and was streamed live on Periscope, with questions from Twitter. Get a glimpse of some of the great soundbites from the discussion:

You can watch the second half of the discussion in our Periscope livestream video here.

cato-5 Also featured on Thursday night (21 April) were a selection of artworks from Bernice Chua, Hendry Poh, Jenson Tan, and Silver Phang and Jyren Koh of DOUBLE. The works presented ranged from black-and-white photography to interactive pieces.  


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We asked the artists to explain their works for Twitter in 20 seconds or less, and here’s what they had to say:

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Overtime #3 is happening on 20 May. Open call for art works is happening from now till 13 May – spread the word!


Photos: Jovi Ho for Popspoken

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This article Discussing Open Source And Censorship In Art & Design At Overtime #2 appeared first on Popspoken.

Is “Captain America: Civil War” Marvel’s Best Movie Yet?

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With a 97% approval rating on Rotten Tomatoes, you might imagine “Captain America: Civil War” to rank among the greatest films Hollywood has to offer. Thankfully, you’re not that far off. The sequel to “Captain America: The First Avenger” and “Captain America: The Winter Soldier” has yet to arrive in cinemas, but is already outselling all previous Marvel films at the same point in the sales cycle!

Profits aside, the film takes place a year after the events in “Avengers: Age Of Ultron”, where substantial damage was dealt to the city of Sokovia. “Civil War” begins with the genetically-blessed team of superheroes creating yet another mess in their pursuit of justice, causing public opinion to turn on them. The “vigilantes” are forced to come under a governing body, who will decide when and where they are needed.

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Perhaps acting as the perfect metaphor for America, Steve Rogers (Chris Evans) vehemently refuses to sign the regulation treaty in the name of freedom. This puts the Captain completely at odds with Tony Stark (Robert Downey, Jr.), who rains both sarcasm and snark in his face, along with quite a few punches.

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Having just a couple of heroes hold down an entire plot never makes for good cinema (we’re looking at you, DC). In true Marvel fashion, more is more. The surprisingly well-balanced 6-on-6 fistfight comes in the form of Captain America, The Winter Soldier, Falcon, Scarlet Witch, Hawkeye, and the excitable Ant-Man on #TeamCap; and Iron Man, Black Widow, War Machine, the Vision, Black Panther, and a teenage Spider-Man on #TeamIronMan.

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Baywatch for supers.

With #ChooseWisely as the official hashtag at the press conference held last Thursday, it’s not difficult to get sucked into the well-crafted marketing ploy. While Chris Evans’ on-screen magnetism has been on a decline since his starring role in the first “Captain America” flick, he more than makes up for it with his pretty boy looks. #TeamCap may be straddling the wilder left wing in this ideological conflict, but the Captain’s repeated excuses of “I just can’t” does little to explain the severe escalation of the conflict.

On the other hand, Robert Downey, Jr. steals the show with his uncharacteristic silence. Never one to shy away from Sorkian levels of chatter, the first half of “Civil War” sees the literal man of steel remaining mum about his motivations behind agreeing to government regulation. Many dissonant factors are at play in Downey’s character, from a renouncement of his liberal attitude to his righteous fury that’s peppered with off-the-cuff jokes. Tensions come to a head in the final scenes of the movie as Stark is forced to face his innermost demons.

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Scarlett Johansson presented a particularly noteworthy performance of Black Widow; one that might just wrench her free from sexist interview questions. Johansson’s portrayal is one of betrayal – her analytical mind views Stark’s pacifism as the right choice, but her heart aches for Rogers’ staunch rejection of the treaty, a sentiment she eventually acts on. Giving Natasha Romanoff some depth and moving on from a one-dimensional sex symbol status is a step long overdue for the Marvel brand.

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The introduction of Spider-Man (Tom Holland) and Ant-Man (Paul Rudd) into the Avengers universe is nothing to scoff at. Both are scene-stealers in their own right, playing pivotal roles as excited fanboys in a massive brawl between both sides at an aircraft hangar. The “newbies” provide most of the laughs in a fight scene that would have otherwise felt too drawn-out and gimmicky.

“Civil War” takes the age-old playground question of “Who do you think would win in a fight between A & B?” and answers it in a much better fashion than “Batman v Superman”, which was panned by critics the world over. While the latter spent too much time welling in its own melodrama, “Civil War” did a great job with the film’s pacing, keeping the action-packed experience light with cameos and glimpses of warmth between the feuding friends. Not one minute of the flick was wasted, and that, truly, makes for marvellous cinema.

There may or may not be a post-credits scene. You have been warned.

Directed by: Anthony Russo & Joe Russo
Genre: Action, Fantasy
Running time: 147 minutes

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Coming To Singapore: Kylie Minogue, Bastille, Queen + Adam Lambert And Pentatonix For F1 2016

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They say good things come to those who wait, so do better things come to those who wait even longer? The organisers behind the F1 Night Race Singapore Grand Prix seem to think so, teasing us with a stunning lineup of artists hitting our shores this September!

Taking place over the weekend of 16 – 18 September 2016, the 2016 Formula 1 Singapore Airlines Singapore Grand Prix will see A-list performers take the stage in front of more than 260,000 spectators over three days. After an unusual delay in announcing the lineup, the official Singapore GP tweeted the following video earlier this afternoon (6 June):

Adam Lambert will front the legendary rock band Queen, while Australian pop diva Kylie Minogue will hold her own in her much-anticipated return to Singapore.

Grammy Award-winning a cappella group Pentatonix are back for the fourth time, while “Pompeii” hitmakers Bastille return after a lauded show in January 2015.

For more matured fans, American musicians KC and The Sunshine Band will also be playing hits from their 40-year-long career.

Before the races, KC and the Sunshine Band will perform at the Village Stage on Sep 16 (Fri), while Pentatonix will perform on the same stage on Sep 17 (Sat). Bastille will perform before the races on Sep 17 at the Padang Stage.

After the races, Kylie Minogue will headline the Padang Stage on Sep 16 while Queen and Adam Lambert will perform on Sep 17. The Padang headliner for Sep 18 (Sun) has not been announced yet.

The Padang stage will also be shifted within the field, to be situated right smack between both Padang grandstand exits so that the stage takes up the length of the Padang instead of the width.

This ensures more attendees can stand closer to the stage, while screens will be provided on the left and right of the stage for greater visibility.

Tickets for the Padang Stage are from S$78 (Friday Zone 4 Walkabout Ticket) to S$268 (3-day Zone 4 Walkabout Ticket).

A limited number of Friday Zone 4 Walkabout tickets will also be sold at a promotional price of S$38 for Singaporeans and Singapore residents, subject to availability.

These tickets can only be purchased over-the-counter at SISTIC outlets, so best to call up your nearest SISTIC outlet to check for availability.

More acts will be announced soon, as these big names only constitute “Round 1” of the full Singapore GP lineup. Who do you think we’ll be welcoming this year with our warmth and humidity? Tweet us your dream performers!

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Check out the official website of the Singapore GP for updates on the concert lineup.

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This article Coming To Singapore: Kylie Minogue, Bastille, Queen + Adam Lambert And Pentatonix For F1 2016 appeared first on Popspoken.


A Dictionary’s Desperation to Define “Chinese Helicopter”

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My mother is 59 and Chinese-educated. Her sisters, too, are Chinese-educated. On many occasions she has revealed to me that her biggest regret in life is this very fact.

Now that the derogatory term “Chinese helicopter” is a codified phrase in the Oxford English Dictionary (‘OED’), what does this mean for her and the Chinese-educated members of the Singaporean public?

“A Singaporean whose schooling was conducted in Mandarin Chinese and who has limited knowledge of English” — OED’s definition

A quick look at the education system that existed in Singapore more than 50 years ago – Life then was completely functional without a significant English-speaking population. You would imagine that the heartlanders spent roughly half their days figuring out what their neighbours of different racial and dialect groups were talking about, but that is the magic of the “pasar patois”. Singlish – in the midst of creolisation. A work in progress; a labour of love among all to understand one another.

The rapid, post-independence urban dream and bilingual policy eventually bullied dialect schools into shuttering, with their students taking a grin-and-bear-it approach to the new, standardised education system. Lan lan suck thumb, right?

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Source: sgschoolmemories.blogspot.sg

Half a century later, what good were their efforts? Half a century later, what does this mean?

In the Singapore of today, being a Chinese-educated Singaporean means constant fear when talking to strangers. This blanket phobia covers everything from speaking to telemarketers, bank tellers, and even pizza deliverymen. Lest they sound like a “Chinese helicopter”, this generation would rather not speak at all, living life like a tourist in their own home, an increasingly English-oriented environment that’s hostile and condescending to them by virtue of their very tongue.

Being Chinese-educated means little to no job security – how would a middle-aged worker who was just retrenched from their corporate job even pass an interview for another office position? How would they even hold a conversation with an English-educated millennial executive?

Being Chinese-educated also means permanently excusing oneself from the tired Singlish vs. Standard English debate. What is there to argue about when one is clearly effective and the other an impossible skill?

Now I’m definitely not calling for Singapore to cater exclusively to the Chinese-speaking. I’m not asking our multiracial society to cater to anyone at all. The English language was introduced as a means to rally all Singaporeans together, and it continues to do so today. On a related note, however, if any concessions are to be made, they should be made to all the major racial groups. It’s not a matter of demography, it’s a matter of respect.

“Chinese-educated” does not mean “Uneducated”

It’s akin to being the victim of a for-profit college scam. The final batches of students from dialect schools were suddenly thrust into an English-speaking world in their secondary school years; a world where their more affluent batchmates had already received years of English language tuition.

Imagine being told that all you’ve learned in school up to that point was still valid, but your knowledge would be examined in a totally foreign language. If this were to actually happen, everyone would be writing full-length op-eds regarding the absurdity of that situation in their Facebook statuses.

A quick check among my friends revealed that Singaporeans born after the 90’s have zero clue what the term even refers to. This is echoed in a short opinion piece on BBC (rather gleefully titled “Singlish OED entry baffles Singaporeans”), where one Joseph Lim even mistook it for “a sexual term”. Why, then, is the Oxford English Dictionary raking up the past? Does it arise from the same desperation for controversy that gossip rags are known for? What exactly are the folks behind OED trying to do?

It’s been a month since the fiasco and the dust has already settled. For having riled up an entire nation (albeit a small one) over an obsolete term, OED’s marketing team have probably duly received their pats on the back. No publicity is bad publicity, right?

Sociolinguistics proves that language is and always will be a key status symbol, especially in countries where the English language is not native.

Kindness and being a decent human being, however, are innate. How will you choose to act when speaking to these unfairly-labelled “Chinese helicopters”?

I’m thankful that the education system of today offers all students a more egalitarian playing field with regards to language. But while we enjoy the fruits of a flourishing national policy, let’s not forget how much it cost the ones before us to water that tree.

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Honest Grub And A Round-The-World Trip At Olivia & Co.

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I’m not sure about you, but I’m tired of cafés who aggressively try to be everything at once. You know what I’m talking about – those pretentious outlets who siphon money off you by slapping on an “artisanal” or “home-made” label on their pre-prepared offerings, when really no artisan or home would endorse a $22 mug of lavender tea.

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Thankfully, Olivia & Co. is as honest as they come. The blissfully unpretentious bistro sits on a virgin, island-style plot between Tower One and Tower Two of Suntec City, with a kitchen occupying a regular unit right beside the dining area. Since opening in March this year, Olivia & Co. has been delighting office workers and families alike with its diverse menu and reasonable prices.

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By introducing more wood and fabric in the dining area, Olivia & Co. hopes to welcome weary office workers by presenting a homely and comfortable vibe. Popspoken also learned that an offer from Suntec to surround the island with glass panels was declined by the owners, who feel that “we already spend too much time within walls”.

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Adopting globe-trotting as a central theme, the menu mimics the palate of a seasoned traveller. Don’t be surprised when you see Tokyo Wings offered right above its spicier, Louisiana-style cousin, or notice an adapted bánh mì next to an all-American grilled cheese sandwich. Popspoken was treated to a tasting menu of their crowd favourites, ranging from sensible milkshakes to decadent sandwich-ception creations. Here’s a quick look at some of their best picks.

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Tokyo Wings / Truffle Fries

Starting off with an order of wings is always a wise decision. Starting off with TWO orders of wings should warrant you a Nobel prize. We sampled the Tokyo Wings and Louisiana Wings ($9 for 6/$16 for 12), two very different flavours for very different people.

I preferred the former, with its crispy fried skin slathered in sweet teriyaki marinade. The hit-you-like-a-bus spicy Louisiana version awakens your palate immediately, and the combination of fish sauce, lime juice, and garlic is a force to be reckoned with. Are you game?

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The Cheeses

You might think of Olivia & Co. as a hangout for afternoon tea and little else, but this bistro packs a punch with its satisfying mains. The Cheeses ($23) is an unabashedly American burger through and through, with two mini grilled cheese sandwiches sandwiching a juicy beef patty (read that carefully). That’s right – this is essentially a sandwich between two sandwiches. Three additional words make this an even sweeter deal: “Comes with fries.”

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Quayside Soft-Shell Crab Burger

The Quayside Soft-Shell Crab Burger ($23) is another standout offering. Think tempura soft-shell crab between buttered brioche, with a truly scene-stealing sesame slaw that also includes coriander, spring onion, and jalapeño mayo (that’s a rock band name right there). The refreshing slaw worked beautifully as a contrast to the fried crab, even though the latter was not greasy at all. Did we mention it also comes with sweet potato fries?

Olivia & Co. also boasts of its big plans for the future. Menu-wise, the three-month-old bistro is looking to introduce more sharing platters, a forward-thinking concept rooted in the observation that the popularity of Spanish tapas and other factors are pushing locals towards larger portions and a more group-oriented dining style.

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Spring Chicken

Their no-BS approach is seen most clearly in the delightful Spring Chicken ($14). Literally what the spartan name suggests, the half chicken is prepared in “half spatchcock” style, where the bird is butterflied for cooking. Served with a ridiculously addictive “pot-roasted gravy”, fresh sesame greens, and an unusual wasabi potato mash, this affordable option makes for a homely meal. We would recommend a serving of Truffle Fries ($12) to go along with this, because since when have we needed a reason to get truffle fries?

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Nutmare

If there’s one thing you have to try, it’s their selection of milkshakes. The Classic Shakes ($7) cover the basics of Vanilla, Chocolate, Banana, and Strawberry, but that’s not what we’re here for. Act close with the establishment by opting for one of Olivia’s Shakes ($9.50). 6 diverse flavours are available, ranging from the fruity, strawberry-mad Lushalicious to the decadently rich Nutmare. We also recommend the BBm, an outrageously OTT confection of fluffy candy floss, rainbow sprinkles, strawberry wafers, and rather ominous-sounding “sizzling surprise candy”.

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Looking for a more filling dessert? The Snorlax ($12) is a sweet and savoury waffle that’s a reference to you in the stages of food coma after. Berry compote, savoury bacon pieces, sliced bananas, and a topping of peanut butter and honey come together to form this twist on a breakfast favourite.

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Besides the dine-in experience, Olivia & Co. are also working to brand themselves as a consumer-oriented supplier of coffee blends and, get this, soda pop! We sampled 4 bold flavours from Australian “organic soda pop” label StrangeLove, with Olivia & Co. being the only place in Asia where you can get your hands on one of these!

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For the timid conservative diner, the Ginger Beer and Lemon Squash (all flavours at $7) are safe bets, competently offering what their names suggest. Honestly though, the Smoked Cola and Blood Orange & Chilli are where it’s at. Smoked madagascan vanilla pods, nutmeg, and cinnamon are infused into regular cola – making all that sugar worth it.

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The Blood Orange & Chilli beverage is perhaps the most exciting – a combination of Italian blood orange and red chilli creates “a drink that lets you feel again”. Clearly not the drink of choice on a hot summer’s day (it even says so on the label).

But we’ve said a lot. Now it’s your turn to try Olivia & Co. for yourself. Drop your friends and family a message – you’re about to bring them to your new favourite brunch hideout.

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Olivia & Co.

Open Monday to Sunday, 9AM to 9PM

3 Temasek Boulevard, Suntec City Mall

#01-481/481A/483/483A (between Towers 1 & 2), Singapore 038983

Find Olivia & Co. online: Twitter | Instagram | Facebook | Website

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Sorry Singapore Influencers, No Defense for “SHIT English”

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A post by online publication Rice Media has sparked fresh debate over influencers in Singapore. Netizens are divided about whether instances of influencers’ poor command of English is cause for online ridicule, or not.

The article calls into question the snarky posts made by the Facebook page Singaporean Influencers and Bloggers Write SHIT English and are Annoying AF, which has garnered over 23,000 likes since its inception in December 2016.

Rice Media disagrees with the page’s aggressive tone, and categorises the page’s activities as “cyberbulling”. Rice also claims that the page carries a highbrow, elitist attitude that associates a good command of language with superiority.

Even though they mostly pick on influencers/bloggers, their gripes also imply that anyone who does not speak good English (according to their standards) is professionally, intellectually, and morally inferior. — Rice Media

Instead of pointing fingers at the influencers, however, Rice Media places the blame squarely on the influencers’ “unoriginal social media content and personal marketing strategies, and the similarly uncreative brands that continue to enable them”.


While I wish that SIABWSEAAAA (help la) would be a lot less snide in their delivery, I am not in favour of pardoning influencers as innocent scapegoats.

As an undergraduate majoring in communications, I am concerned that my area of study is being devalued.

If left unchecked and excused, I believe that instances of poor English in influencer marketing may erode the standards for copywriting everywhere.

Okay, hear me out:

Campaign Deliverables

Interestingly, the piece by Rice Media comes after a particularly active week for the offending page in question. Between 11 and 14 March, the page criticised three influencers for their linguistic gaffes on Instagram, one of which was later retracted.

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In one of the featured posts, an influencer mistakenly uploaded her sponsored Instagram post with the caption “My go to car rental will always be @akacarrental ! They never fail to disappoint me and are the best”.

While I’m sure she meant that the brand “never disappoints”, such a blunder would not have been tolerated by a client in a traditional marketing context.

Had a boutique PR company or advertising creative been in her position, accounts would be put on review, jobs would be at risk, and the entire team in charge would have expected an earful from their supervisor. So why are we this soft on what influencers are being paid to do?

Appropriateness of Message

Some argue that influencer marketing serves a different segment from professional copywriters in that their message is presented more casually.

This means that sentence fragments, run-on messages, and even memes can all be part of a well-thought-out campaign on social media. This also means that I may have job security after all.

This liberal use of language is supported by descriptivism, where language is determined by what people do with it. The hallmark of the descriptivist argument is that language cannot be judged as “right” or “wrong” if the intended message is successfully communicated to the audience.

As seen in the examples above, however, some captions by occupational influencers range from the bizarre to the antithetical. Whether it’s a hundred words of rambling and trying to disguise the #sponsored motives of the post, or mistakenly criticising the very product they were paid to promote, the only message communicated here is one of confusion.

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The Future of Influencer Marketing

In February, Singaporeans mocked the influencer marketing strategies of the Ministry for the Environment and Water Resources. The ministry reportedly paid 28 micro-influencers for a three-month marketing campaign to spread awareness about climate change.

Micro-influencers are understood to be online personalities with between 1,000 and 10,000 followers on Instagram.

As a millennial with an interest in digital marketing, the idea of paid micro-influencers is genius, if not a little perverse.

On one hand, micro-influencers offer a cheaper alternative to expensive campaigns with well-known influencers, whose engagement numbers may already be tinted by the smitten responses of their adoring fans. I may double tap on a pretty face, sure, but am I really reading the caption for that brand of car tyres she’s promoting?

Micro-influencers are valuable because their followers do not approach their posts with caution, wary that they are being sold something. Rather, my friend, who has a little over three thousand Instagram followers, is genuinely recommending some new car tyres. Nice.

However, I think influencer marketing is not sustainable, and the sooner brands realise this, the better. The same way “ad blindness” has blighted advertisers for years, posts by influencers will be increasingly ignored by the online audience.


I hope this short piece didn’t read like a preachy Facebook post by SIABWSEAAAA (help again). At the risk of sounding like an out of touch headline, “millennials are killing the copywriting industry”.

I’m just worried, you know, that my uni degree like, no use when I graduate. I study so hard, practice my writing, but the advertising money all going to influencers, not newsrooms, not magazines, not ad agencies, then how? A bit sian, right?

I know we must accept change la. Got smart campus, got smart nation, but people don’t want to be smart about what they read, how sia? It’s good to have some standards la. People pay you to do something, must at least do a good job right?

See? It’s not impossible to communicate effectively with a non-standard variety of English.

It’s not impossible to want to be better. #spon

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This article Sorry Singapore Influencers, No Defense for “SHIT English” appeared first on Popspoken.

HOW CAN DIS B ALLOW: Loh Wai Poon on Being A “Facebook Uncle”, Fake News, and Entering Politics

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“$2.80 for a breakfast set? It’s ridiculous, you know?”

To be fair, our choice of breakfast venue isn’t the most economical. Lau Pa Sat on a Tuesday morning calls to mind white-collar bankers and tourists overdressed for the weather, not a student and an energetic retiree.

Not just any retiree, mind you. Loh Wai Poon, 63, is one of the most active Facebook users in the comments section of articles by The Straits Times.

“At least their service not bad. Sometimes really very bad one, you know?”

Dressed in a checkered shirt and oval glasses, Loh is every bit the caricature that netizens have come to term the “Facebook uncle” – an outspoken, middle-aged local male who seems to be awake at all hours of the day and has an opinion on everything the newsroom produces.

The former aviation engineer now spends his time volunteering with the People’s Association, guiding school tours to Southeast Asian countries, and doting on his one-year-old grandson.

We occupy an entire table for six by ourselves, simply because we can. The iconic food centre is not crowded, at least not before the lunch hour begins at 12.

“My weekday is busier than my weekend. I’m going to a birthday party after this, you know.”

He knocks one of two soft-boiled eggs on the table. He tries it again. (I would eventually count 11 loud knocks while transcribing the voice memo of this interview.)

He succeeds on the twelfth knock, spilling runny yolk all over his black Amway messenger bag.

Aiyo, you got tissue? Thank you, thank you.”

A “Facebook Uncle” is born

Similarly, hard knocks and a sudden plunge into a new world was how Loh began as a “Facebook uncle”.

In 2013, Baey Yam Keng was caught in an online furore regarding the supposed $2.50 he paid for a plate of nasi padang in a coffee shop at Tampines Block 475, where he is the incumbent MP.

Netizens were quick to jump on accusations that the stall owner had charged the MP a preferential price, and raised concerns about policymakers’ alleged disconnect from the public cost of living.

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“People were saying ‘It cannot be so cheap! Is the MP trying to bully the stall owner?’ There was an argument, and this commenter was using all sorts of things to slander Baey Yam Keng.”

“So I put in my few words, and he attacked me! I very angry you know, I went to see Baey Yam Keng, who is my MP. He say ‘Ignore it, ignore it.’” But to me, you must counter. You cannot allow a lie to continue, it’s not fair what. I didn’t do it.”

“Anyway, I went to the police post to complain. Nothing happen! How to find him? He was using a fake name, he’s using a picture of Jesus Christ (as his profile picture)! Wah lan. Cannot find him one!”

“I learnt something. If you want to fight fake news, the only way is to deal with it directly. That’s the only way out, you have to fight them. Gun for gun, like a shootout. It actually works for me. I am defending myself against what you are saying about me.”

2018-03-22 (2)

What prompts a Loh Wai Poon Facebook Comment™?

I am curious about the issues that are worthy of a Loh Wai Poon Facebook Comment™, and those that are not.

“I am a social person. For me, I want Singaporeans to be more social-conscious (society-minded), things like NS, tax hike. I want people to speak up about issues that affect everybody – give your two cents’ worth. Eventually, it will work, you know? If everyone starts caring, the Government will see. They will want to do something about it.”

I press in harder. What is a recent issue that has prompted a characteristic lengthy response from Loh?

“The most recent one will definitely be the new Prime Minister. This issue has gone on for so long. We need to have a clear cut PM.”

“The next PM should be known to us as soon as possible. Don’t drag, don’t drag! The sooner we appoint this person, the sooner he can prepare himself.”

“A lot of people think, ‘PAP too presumptuous’, but I think as a political party, they are being pragmatic. To say that PAP will lose their majority in Parliament in the next election, is like 痴人说梦 (dreams of a madman), you know?”

The Straits Times’ #1 Fan

I ask for Loh’s thoughts on print media in Singapore. Is print really as doomed as many make it out to be?

“Journalism ah? Definitely becoming more liberalised. All along we have been too tight. We can only go one way. You can say that ST is becoming more open. People becoming more relax. Millennials are taking over what. Yall think differently.”

“Online content is always going to be years ahead of your print media. People are doing Step 10, we are still arguing over Step 5, you know? Cannot, right?”

“We are becoming more and more like a mature democracy. We’ve been around like half a century already. So we cannot be like in the 60’s.”

“I seldom read CNA (Channel NewsAsia) or TODAY, only ST. I subscribe to ST, and I read the NOW tab on the app. I want the now. I read the incoming, developing news, like, you know, got hijack or what.”

The Straits Times Comments Section Facebook Page

“I used to write to the forum.”

No, I say, this is not The Straits Times, this is a parody Facebook page. They take screenshots of trolls in the comments and share them.

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Loh doesn’t understand and continues with his line of thought.

“Nowadays, I always comment on the Facebook. I think they (ST) realise that the Forum is too slow, take three days to publish. If they don’t want to publish, they don’t tell you also. They ask me for permission, they ask to edit, but in the end, never publish.”

It seems Loh doesn’t know he’s famous.

Loh Wai Poon, the influencer?

“I don’t like to go to my page and post, I just comment. I’m not interested in building a following. I see something, I think whether right or wrong, and I comment on it.”

“I’m not interested in building a following, like some people earn money, like a blogger. You know, I say something, you have to pay me. They becoming something like a spokesman. But I don’t like this kind of thing ah, I think it’s not right.”

“I heard some people can make a living by doing social media, like a sort of celebrity. It’s not a genuine thing, if you have to think of what your paymaster think. They lose the respect of followers.”

Loh Wai Poon, the politician?

“(The ageing population) will become a bigger and bigger issue as my generation pass by. My generation will be around for another quarter century. The ageing issue will be a bigger issue in the coming elections. It’s a lot of people, can shift the political landscape easily.”

“Somebody already set up a party called Singaporeans First, maybe next time got a party called ‘Senior Citizens First’?”

Lunch hour

We’ve been sat for an hour, and Loh’s kopi-c has turned cold. The lunch crowd has begun spilling in, and an elderly cleaner has been nervously eyeing Loh’s tray for the past twenty minutes.

“When I think I am right, I take a stand. I support PAP sometimes, I support WP sometimes, but I am never going to be a political party member. Certain things that I am passionate about, I try to be distant. I like to be a commentator.”

“A lot of people tell me ‘You talk so much, why don’t you go into politics?’ But if I go into politics, I cannot comment on anything already. Because whatever I comment will become the party’s comment.”

“Not everybody likes to be a politician. I like to comment. I like to be as free as I can. I don’t like having my hands tied.”

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“SAMA-SAMA”: Student-Run Photo Exhibition Explores Similarities Between Singapore and Malaysia

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When was the last time you visited Johor Bahru? Was it for some fish head curry? Some waffles at a cafe? Or were you simply there for some of that legendary banana cake from Hiap Joo?

Past the debate about who invented chilli crab and some insensitive jokes about exchange rates, are we that different after all?

From the Wee Kim Wee School of Communication and Information (WKWSCI) comes “SAMA-SAMA”, a public photo exhibition celebrating the lives of people who have a special relationship with the Singapore-Malaysia Causeway.

Happening this Sunday (Apr 8) from 12PM to 5PM, the free event will showcase photo stories of those living and working near the Causeway. The photo exhibition will be held at Kult Studio & Gallery, located at Emily Hill.

SINGAPORE - Zulklfli Binsusin, 58, taking a break outside the Woodlands Point mall. Though the mall was shut down one and a half years ago, Mr Binsusin still takes his breaks there regularly. (Photo: "SAMA-SAMA" Team)

SINGAPORE – Zulklfli Binsusin, 58, taking a break outside the Woodlands Point mall. Though the mall was shut down one and a half years ago, Mr Binsusin still takes his breaks there regularly. (Photo: “SAMA-SAMA” Team)

In addition to the main exhibit, highlights include food tastings of popular snacks from Singapore and Malaysia. Visitors can also expect live buskers during the exhibition.

The Causeway Connection

The photo exhibition is entirely created and curated by undergraduate students from the WKWSCI Photojournalism module this semester.

“We chose the Causeway as our exhibition subject to show that people from both sides are not that different. There are similarities in the way we live and how we go about our daily lives,” said Jeremy Teo, co-chairperson of “SAMA-SAMA”.

The second-year broadcast and cinema studies student added: “Our exhibition seeks to look beyond the physical Causeway, viewing it not as a barrier but something that connects us.”

JOHOR BAHRU - 50-year-old Subramanian lost his left hand 30 years ago in a fireworks accident. Despite his circumstances, he still remains to maintain a bubbly personality, and is full of youthful vigour. (Photo: "SAMA-SAMA" Team)

JOHOR BAHRU – 50-year-old Subramanian lost his left hand 30 years ago in a fireworks accident. Despite his circumstances, he still remains to maintain a bubbly personality, and is full of youthful vigour. (Photo: “SAMA-SAMA” Team)

Vanessa Cheng, co-chairperson of “SAMA-SAMA” said: “The exhibition tells a story of parallels with our neighbours across the border. Visitors can expect in-depth stories of people who cross the border every day and how we’re more alike than we think.”

Established in 1992, the Wee Kim Wee School of Communication and Information (WKWSCI) offers communication studies at the Nanyang Technological University (NTU).

JOHOR BAHRU – Brothers Butalim (left) and Amy (right) Sugardo hail from Sabah. They moved to Johor Bahru two years ago with their mother, in search for better jobs. (Photo: "SAMA-SAMA" Team)

JOHOR BAHRU – Brothers Butalim (left) and Amy (right) Sugardo hail from Sabah. They moved to Johor Bahru two years ago with their mother, in search for better jobs. (Photo: “SAMA-SAMA” Team)

SINGAPORE – Nandakumar Sahi works at the site of the old Woodlands Town Centre, and is in charge of driving trucks around to transport construction materials. Though he enjoys his work, Mr Sahi still misses home dearly.(Photo: "SAMA-SAMA" Team)

SINGAPORE – Nandakumar Sahi works at the site of the old Woodlands Town Centre, and is in charge of driving trucks around to transport construction materials. Though he enjoys his work, Mr Sahi still misses home dearly.(Photo: “SAMA-SAMA” Team)

Previous Exhibitions

Under course instructor Mr Samuel He, the WKWSCI Photojournalism module has held three successful exhibitions in previous years.

Starting with the “Last Weeks With Rochor” exhibition in 2016, Mr He introduced the exhibition as an assignment, typically held near the end of each semester. The inaugural exhibition featured the lives of residents from Rochor Centre before its closure.


The following year, students from the Photojournalism module organised the “Bidadari and Beyond” and “This Is Yishun” exhibitions at the Central Public Library and Yishun Park Hawker Centre.

For their focus on heritage and culture, the series of exhibitions have received coverage from print publications The Straits Times, Lianhe Zaobao, Shin Min Daily News, online publications Mothership, Our Grandfather Story, and YP.SG, as well as broadcaster MediaCorp Channel 5.

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SAMA-SAMA: A Photo Exhibition

12PM – 5PM, Sunday, 8 April 2018

kult
Block C2-5, Emily Hill 11 Upper Wilkie Road, Singapore 228120

Event is free!

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This article “SAMA-SAMA”: Student-Run Photo Exhibition Explores Similarities Between Singapore and Malaysia appeared first on Popspoken.

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